Bibliography

Andrews, Bruce, and Charles Bernstein, eds. The

L=A=N=G=U=A=G=E Book. Carbondale: Southern Illinois University Press, 1984. Bernstein, Charles, ed. Close Listening: Poetry and the Performed Word. New York: Oxford University Press, 1998. Brawley, Lisa. "The Virtual Slam: Performance Poetry on the

Net." Chicago Review 40 (1994): 157-163. Cabico, Regie, and Todd Swift, eds. Poetry Nation: The North American Anthology of Fusion Poetry. Montreal, Canada: VĂ©hicule Press, 1998.

Gladney, Marvin J. "The Black Arts Movement and HipHop." African American Review 29 (1995): 291-301. Morris, Adelaide, ed. Sound States: Innovative Poetics and Acoustical Technologies. Chapel Hill: University of North Carolina Press, 1997. Olson, Charles. "Projective Verse." In Selected Writings, edited by Robert Creely. New York: New Directions, 1966, pp. 15-26. Rothenberg, Jerome. "New Models, New Visions: Some Notes towards a Poetics of Performance." In Performance in Postmodern Culture, edited by Michel Benamou and Charles Carmello. Madison, Wis.: Coda Press, 1977. Van Wienen, Mark W "Vachel Lindsay as Performer," Modern American Poetry: An Online Journal and Multimedia Companion to Anthology of Modern American Poetry, compiled by Cary Nelson. Available online. URL: http://www.english.uiuc.edu/maps/poets/g_1/lindsay/ performer.htm. Downloaded October 2003.

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