Selected Bibliography

Allen, Donald, and Warrent Tallman, eds. The Poetics of the New American Poetry. New York: Grove Press, 1973.

Altieri, Charles. Enlarging The Temple : New Directions in American Poetry During the 1960's. Lewisburg, Pa.: Bucknell University Press, 1979.

-. Painterly Abstraction in Modernist American

Poetry: The Contemporaneity of Modernism. University Park, Pa.: Pennsylvania State University Press, 1995.

. Postmodernisms Now: Essays on

Contemporaneity in the Arts. University Park, Pa.: Pennsylvania State University Press, 1998.

Self and Sensibility in Contemporary American

Poetry. Cambridge; New York: Cambridge University Press, 1984.

Andrews, Bruce, and Charles Bernstein. The L=A=N=G=U=A=G=E Book. Carbondale: Southern Illinois University Press, 1984.

Baker, Jr., Houston. Afro-American Poetics: Revisions of Harlem and the Black Aesthetic. Madison: University of Wisconsin Press, 1988.

Bawer, Bruce. The Middle Generation: The Lives and Poetry of Delmore Schwartz, Randall Jarrell, John Berryman, and Robert Lowell. Hamden, Conn.: Archon Books, 1986.

-. Prophets & Professors: Essays on the Lives and

Works of Modern Poets. Brownsville, Ore.: Story Line Press, 1995.

Beach, Christopher. Artifice and Indeterminacy: An Anthology of New Poetics. Tuscaloosa: University Alabama Press, 1998.

-. Cambridge Introduction to Twentieth-Century

American Poetry. Cambridge: Cambridge University Press, 2003.

Poetic Culture: Contemporary American

Poetry between Community and Institution. Evanston, Ill.: Northwestern University Press, 1999.

Bernstein, Charles. Content's Dream: Essays. Evanston, Ill.: Northwestern University Press, 2001.

-. A Poetics. Cambridge, Mass.: Harvard

University Press, 1992.

Poetics. Cambridge, Mass.: Harvard

University Press, 1992. Bloom, Harold. Figures of Capable Imagination. New York: Seabury Press, 1976.

-. American Poetry, 1915 to 1945. New York:

Chelsea House, 1987.

-, ed. American Poetry 1946 to 1965. New York:

Chelsea House Publishers, 1987.

Breslin, James. From Modern to Contemporary: American Poetry, 1945-1965. Chicago: University of Chicago Press, 1984.

Castro, Michael. Interpreting the Indian: Twentieth Century Poets and the Native American. Norman: University of Oklahoma Press, 1983.

Comens, Bruce. Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky. Tuscaloosa: University of Alabama Press, 1995.

Conte, Joseph. Unending Design: The Forms of Postmodern Poetry. Ithaca, N.Y., and London: Cornell University Press, 1991.

Costello, Bonnie. Shifting Ground: Reinventing Landscape in Modern American Poetry. Cambridge, Mass.: Harvard University Press, 2003.

Cucinella, Catherine, ed. Contemporary American Women Poets: An A-to-Z Guide. Westport, Conn.: Greenwood Press, 2002.

Cushman, Stephen. Fictions of Form in American Poetry. Princeton, N.J.: Princeton University Press, 1993.

Davenport, Guy. Geography of the Imagination. New York: Pantheon Books, 1992.

Davidson, Michael. Ghostlier Demarcations: Modern Poetry and the Material Word. Berkeley: University of California Press, 1997.

-. The San Francisco Renaissance: Poetics and

Community at Mid-Century. Cambridge University Press, 1989.

Delville, Michel. The American Prose Poem. Gainesville: University Press of Florida, 1998.

Diggory, Terence, and Stephen Paul Miller, eds. The Scene of My Selves: New Work on New York School Poets. Orono, Maine: National Poetry Foundation; Hanover, N.H.: University Press of New England, 2001.

Donoghue, Denis. Connoisseurs of Chaos: Ideas of Order in Modern American Poetry. 2d ed. London, Faber, 1984.

Drake, William. The First Wave: Women Poets in America, 1915-1945. New York: Macmillan, 1987.

Duplessis, Rachel Blau. Genders, Races, and Religious Cultures in Modern American Poetry, 1908-1934. Cambridge; New York: Cambridge University Press, 2001.

Dworkin, Craig. Reading the Illegible. Evanston, III.: Northwestern University Press, 2003.

Eysteinsson, Astradur. The Concept of Modernism. Ithaca, N.Y.: Cornell University Press, 1990.

Faas, Ekbert. Towards a New American Poetics: Essays and Interviews. Santa Barbara, Calif.: Black Sparrow, 1978.

Fink, Thomas. "A Different Sense of Power": Problems of Community in Late Twentieth-Century U.S. Poetry. Madison, N.J.: Fairleigh Dickinson University Press; London: Associated University Presses, 2001.

Finkelstein, Norman. Lyrical Interference: Essays on Poetics. New York: Spuyten Duyvil, 2003.

-. Not One of Them in Place: Modern Poetry and

Jewish American Identity. Albany: State University of New York Press, 2001.

-. The Utopian Moment in Contemporary

American Poetry. Rev. ed. Lewisburg, Pa.: Bucknell

University Press; London: Associated University Presses, 1993.

Ford, Karen Jackson. Gender and the Poetics of Excess: Moments of Brocade. Jackson: University of Mississippi Press, 1997.

Foster, Edward Halsey. Answerable to None: Berrigan, Bronk, and The American Real. New York: Spuyten Duyvil, 1999.

-, ed. Poetry and Poetics an a New Millenium:

Interviews. Jersey City, N.J.: Talisman House, Publishers, 2000.

-, ed. Postmodern Poetry: The Talisman

Interviews. Hoboken, N.J.: Talisman House, 1994.

-. Understanding the Beats. Columbia, S.C.:

University of South Carolina Press, 1992.

-. Understanding the Black Mountain Poets.

Columbia S.C.: University of South Carolina Press, 1995.

Foster, Edward, and Joseph Donahue, eds. The World in Time and Space: Towards a History of Innovative American Poetry in Our Time. Talisman: A Journal of Contemporary Poetry and Poetics 23, no. 26 (2002).

Frank, Robert, and Henry Sayre. The Line in Postmodern Poetry. Urbana: University of Illinois Press, 1988.

Fredman, Stephen. The Grounding of American Poetry: Charles Olson and the Emersonian Tradition. Cambridge; New York: Cambridge University Press, 1993.

-. Poet's Prose: The Crisis in American Verse. 2d ed. Cambridge; New York: Cambridge University Press, 1990.

Frost, Elisabeth. A The Feminist Avant-Garde in American Poetry. Iowa City: University of Iowa Press, 2003.

Gioia, Dana. Can Poetry Matter?: Essays on Poetry and American Culture. Saint Paul, Minn.: Graywolf Press, 2002.

Goldensohn, Lorrie. Dismantling Glory: Twentieth-Century Soldier Poetry. New York: Columbia University Press, 2003.

Golding, Allan. From Outlaw to Classic: Cannons in American Poetry. Madison: University of Wisconsin Press, 1995.

Gotera, Vince. Radical Visions: Poetry by Vietnam Veterans. Athens: University of Georgia Press, 1994.

Gray, Richard. American Poetry of the Twentieth Century. London and New York: Longman, 1990.

Grumman, Bob. Of Manywhere-at-Once. Port Charlotte, Florida: Runaway Spoon Press, 1998.

Gwynn, R. S., ed. The Advocates of Poetry: A Reader of American Poet-Critics of the Modernist Era. Fayetteville: University of Arkansas Press, 1996.

Harrington, Joseph. Poetry and the Public: The Social Form of Modern U.S. Poetics. Middletown, Conn.: Wesleyan University Press, 2002.

Hartley, George. Textual Politics and the Language Poets. Bloomington: Indiana University Press, 1989.

Hatlen, Burton, and Demetres Tryphonopoulos, eds. William Carlos Williams and the Language of Poetry. Orno, Maine.: National Poetry Foundation, 2002.

Heller, Michael. Conviction's Net of Branches: Essays on the Objectivist Poets and Poetry. Carbondale: Southern Illinois University Press, 1985.

Henderson, Stephen. Understanding the New Black Poetry: Black Speech and Black Music as Poetic Reference. New York: Morrow, 1973.

Hinton, Laura, and Cynthia Hogue, eds. We Who Love to Be Astonished: Experimental Women's Writing and Performance Poetics. Tuscaloosa, University of Alabama Press, 2001.

Holden, Jonathan. The Rhetoric of the Contemporary Lyric. Bloomington: Indiana University Press, 1980.

Howard, Richard. Alone With America: Essays on the Art of Poetry in the United States since 1950. New York: Atheneum, 1980.

Juhasz, Suzanne. Naked and Fiery Forms: Modern American Poetry by Women, a New Tradition. New York: Harper & Row, 1976.

Kalaidjian, Walter. American Culture Between the Wars: Revisionary Modernism and PostModern Critique. New York: Columbia University Press, 1993.

-. Languages of Liberation: The Social Text in

Contemporary American Poetry. New York: Columbia University Press, 1989.

Kalstone, David. Five Temperaments: Elizabeth Bishop, Robert Lowell, James Merrill, Adrienne Rich, and John Ashbery. New York: Oxford University Press, 1977.

Kenner, Hugh. The Pound Era. London, Faber, 1972.

Kimmelman, Burt. The "Winter Mind": William Bronk and American Letters. Madison, N.J.: Fairleigh Dickinson University Press; London: Associated University Presses, 1998.

Kostelanetz, Richard. A Dictionary of the Avant-Gardes. New York: Schirmer Books, 2000.

Lehman, David. The Last Avant-Garde: The Making of the New York School of Poets. New York: Doubleday, 1998.

-, ed. Great American Prose Poems. New York:

Scribner, 2003.

Lentricchia, Frank. Modernist Quartet. Cambridge; New York: Cambridge University Press, 1994.

Longenbach, James. Modern Poetry After Modernism. New York: Oxford University Press, 1997.

Martin, Robert K. The Homosexual Tradition in American Poetry. Iowa City: University of Iowa Press, 1998.

McCaffery, Steve. North of Intention: Critical Writings 1973-1986. 2nd ed. New York: Roof Books, 2000.

-. Prior To Meaning: The Protosemantic and

Poetics. Evanston, III.: Northwestern University Press, 2001.

McDowell, Robert, ed. Poetry after Modernism. Brownsville, Ore.: Story Line Press, 1998.

McHale, Brian. The Obligation toward the Difficult Whole: Postmodernist Long Poems. Tuscaloosa: University of Alabama Press, 2003.

Middlebrook, Diane Wood, and Marilyn Yalom, eds. Coming to Light: American Women Poets in the Twentieth Century. Ann Arbor: University of Michigan Press, 1985.

Miller, J. Hillis. Poets of Reality. Cambridge, Mass.: Harvard University Press, 1965.

Molesworth, Charles. The Fierce Embrace: A Study of Contemporary American Poetry. Columbia: University of Missouri Press, 1979.

Montefiore, Jan. Feminism and Poetry: Language, Experience, Identity in Women's Writing. New York: Pandora, 1987.

Myers, Jack, and David Wojahn, eds. A Profile of Twentieth-Century American Poetry. Carbondale and Edwardsville: Southern Illinois University Press, 1991.

Naylor, Paul. Poetic Investigations: Singing the Holes in History. Evanston, III.: Northwestern University Press, 1999.

Nelson, Cary. Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory 1910-1945. Madison: University of Wisconsin Press, 1989.

Nielsen, Aldon Lynn. Black Chant: Languages of African-American Postmodernism. New York: Cambridge University Press, 1997.

-. Reading Race: White American Poets and the

Racial Discourse in the Twentieth Century. Athens: University of Georgia Press, 1988.

North, Michael. The Dialect of Modernism. New York: Oxford University Press, 1994.

Osman, David. The Sullen Art: Interviews by David Osman with Modern American Poets. New York: Corinth, 1963.

Ostriker, Alicia Suskin. Stealing the Language: The Emergence of Women's Poetry in America. Boston: Beacon Press, 1986.

Palmer, Michael, ed. Code of Signals. Berkeley, Calif.: North Atlantic Books, 1983.

Parini, Jay. The Columbia History of American Poetry. New York: Columbia University Press, 1993.

Paul, Sherman. Hewing to Experience: Essays and Reviews on Recent American Poetry and Poetics, Nature and Culture. Ames: University of Iowa Press, 1990.

-. In Search of the Primitive. Baton Rouge:

Louisiana State University Press, 1976.

-. Olson's Push: Origin, Black Mountain and

Recent American Poetry. Baton Rouge: Louisiana State University Press, 1978.

Perelman, Bob. The Marginalization of Poetry: Language Writing and Literary History. New Jersey: Princeton University Press, 1996.

-, ed. Writing Talks. Carbondale: Southern

Illinois University Press, 1985.

Perkins, David. A History of Modern Poetry: From the 1890s to the High Modernist Mode. Cambridge, Mass.: Harvard University Press, 1976.

-. A History of Modern Poetry: Modernism and

After. Cambridge, Mass.: Harvard University Press, 1987.

Perloff, Marjorie The Dance of the Intellect: Studies in The Poetry of the Pound Tradition. Evanston, Ill.: Northwestern University Press, 1996.

-. The Futurist Moment: Avant-Garde, Avant

Guerre, and the Language of Rupture. Chicago: University of Chicago Press, 2003.

-. Poetic License: Essays on Modernist and

Postmodernist Lyric. Evanston, Ill.: Northwestern University Press, 1990.

-. The Poetics of Indeterminacy: Rimbaud to Cage.

Evanston, Ill.: Northwestern University Press, 1999.

-. Poetry On & Off the Page: Essays for Emergent

Occasions. Evanston, Ill.: Northwestern University Press, 1998.

-, ed. Postmodern Genres. Norman: University of Oklahoma Press, 1989.

-. Radical Artifice: Writing Poetry in the Age of

Media. Chicago: University of Chicago Press, 1991.

Plakkoottam, J. L., and Prashant K. Sinha, eds. Literature and Politics in Twentieth Century America.

Hyderabad, India: American Studies Research Centre, 1993.

Poirier, Richard. Poetry and pragmatism. Cambridge, Mass.: Harvard University Press, 1992.

Quartermain, Peter. Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe. Cambridge; New York: Cambridge University Press, 1992.

Quartermain, Peter, and Rachel Blau DuPlessis, eds. The Objectivist Nexus: Essays in Cultural Poetics. Tuscaloosa: University of Alabama Press, 1999.

Quetchenbach, Bernard W Back From the Far Field; American Nature Poetry in the Late Twentieth Century. Charlottesville, Virginia: University Press of Virginia, 2000.

Ramazani, Jihan. Poetry of Mourning. Chicago: University of Chicago Press, 1994.

Rasula, Jed. The American Poetry Wax Museum: Reality Effects, 1940-1990. Urbana, Ill.: National Council of Teachers of English, 1996.

Rexroth, Kenneth. American Poetry of the Twentieth Century. New York: Seabury Press, 1973.

Roberts, Neil, ed. A Companion to Twentieth-Century Poetry. Oxford, England: Blackwell, 2001.

Rosenthal, M. L. Our Life in Poetry: Selected Essays and Reviews. New York: Persea, 1991.

-. Poetry and the Common Life. New York:

Schocken, 1983.

Rosenthal, M. L., and Sally M. Gall. The Modern Poetic Sequence: The Genius of Modern Poetry. New York: Oxford University Press, 1983.

Schweik, Susan. A Gulf So Deeply Cut: American Women Poets and the Second World War Madison: University of Wisconsin Press, 1991.

Shetley, Vernon. After the Death of Poetry: Poet and Audience in Contemporary America. Durham: Duke University Press, 1993.

Silliman, Ron. The New Sentence. New York: Roof, 1989.

Simpson, Megan. Poetic Epistemologies: Gender and knowing in Women's Language-Oriented Writing. Albany: SUNY Press, 2000.

Spahr, Juliana. Everybody's Autonomy: Connective Reading and Collective Identity. Tuscaloosa: University of Alabama Press, 2001.

Steele, Timothy. Missing Measures: Modern Poetry and the Revolt Against Meter. Fayetteville: University of Arkansas Press, 1990.

Stefans, Brian Kim. Fashionable Noise: On Digital Poetics. Berkeley, Calif.: Atelos, 2003.

Thomas, Lorenzo. Extraordinary Measure: Afrocentric Modernism and 20th-century American Poetry. Tuscaloosa: University of Alabama Press, 2002.

Travisano, Thomas. Midcentury Quartet. Charlottesville: University Press of Virginia, 1999.

Vendler, Helen. The Given and the Made: Strategies of Poetic Redefinition. Cambridge, Mass.: Harvard University Press, 1995.

-. Part of Nature, Part of Us: Modern American

Poets. Cambridge, Mass.: Harvard University Press, 1980.

-. Soul Says: On Recent Poetry. Cambridge,

Mass.: Belknap Press of Harvard University Press, 1995.

-, ed. Voices & Visions: The Poet in America. New

York: Random House, 1987.

Verdonk, Peter. Ed. Twentieth Century Poetry: From Text to Context. London: Routledge, 1993.

Vickery, Ann. Leaving Lines of Gender: A Feminist Genealogy of Language Writing. Hanover, N.H.: Wesleyan University Press, 2000.

Vincent, Stephen, and Ellen Zweig. The Poetry Reading: A Contemporary Compendium on Language and Performance. San Francisco: Momo's Press, 1981.

Von Hallberg, Robert. American Poetry and Culture, 1945—1980. Cambridge, Mass.: Harvard University Press, 1985.

Waggoner, Hyatt Howe. The Heel of Elohim, Science and Values in Modern American Poetry. Norman: University of Oklahoma Press, 1950. Wagner, Jean. Black Poets of the United States: From Paul Laurence Dunbar to Langston Hughes. Urbana: University of Illinois Press, 1973. Waldman, Anne, and Andrew schelling, eds. Disembodied Poetics: Annals of the Jack Kerouac School. Albuquerque: University of New Mexico Press, 1994.

Wallace, Mark, and Steven Marks. Telling it Slant: Avant Garde Poetics of the 1990s. Tuscaloosa: University of Alabama Press, 2002. Whitehead, Kim. The Feminist Poetry Movement.

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Woznicki, John R. Ideological Content and Political Significance of Twentieth-Century American Poetry. Lewiston, N.Y.: Mellen, 2002.

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