Further reading

Editions, Manuscript Studies, & Sources

Benson, Larry D. The Riverside Chaucer. 3rd ed. Boston:

Houghton Mifflin, 1988. Bryan, W. R., and Germaine Dempster, eds. Sources and Analogues of Chaucer's Canterbury Tales. Chicago: University of Chicago Press, 1941. Donaldson, E. Talbot, ed. Chaucer's Poetry: An Anthology for the Modern Reader. 2nd ed. Glenview, Ill.: Scott Fores-man, 1975.

Manly, John M., and Edith Rickert, eds. The Text of The Canterbury Tales, Studied on the Basis of All Known Manuscripts. 8 vols. Lewiston, N.Y.: Edwin Mellen, 1940. Miller, Robert P., ed. Chaucer: Sources and Backgrounds. New

York: Oxford University Press, 1977. Robinson, F. N., ed. The Works of Geoffrey Chaucer. 2nd ed.

Boston: Houghton Mifflin, 1957. Pratt, Robert A., ed. The Tales of Canterbury. Boston: Houghton Mifflin, 1974. Skeat, Walter, ed. The Complete Works of Geoffrey Chaucer. 6 vols. 1894. Supplementary volume, 1897.

Critical Studies

Allen, Valerie, and Ares Axiotis, ed. Chaucer: Contemporary

Critical Essays. New York: Palgrave, 1997. Beidler, Peter. Masculinities in Chaucer. Cambridge: Cambridge University Press, 1998. Boitani, Piero, and Jill Mann, eds. The Cambridge Chaucer Companion. Cambridge: Cambridge University Press, 1986.

"CAREFUL COMPLAINT BY THE UNFORTUNATE AUTHOR, A" 103

Brewer, Derek. A New Introduction to Chaucer. 2nd ed. London: Routledge, 1998. --, ed. Chaucer: The Critical Heritage. Vol. 1, 13851837. Vol. 2, 1837-1933. London: Routledge, 1978. Burnley, David. A Guide to Chaucer's Language. Stillwater:

University of Oklahoma Press, 1983. Cooper, Helen. The Structure of The Canterbury Tales. London and Athens: University of Georgia Press, 1983.

--. Oxford Guides to Chaucer: The Canterbury Tales. 2nd ed. Oxford: Oxford University Press, 1999. Curry, Walter Clyde. Chaucer and the Medieval Sciences. 2nd ed. New York: Barnes & Noble, 1960. Dinshaw, Carolyn. Chaucer's Sexual Politics. Madison: University of Wisconsin Press, 1989. Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender.

Berkeley: University of California Press, 1992. Mann, Jill. Chaucer and Medieval Estates Satire. Cambridge:

Cambridge University Press, 1973. Patterson, Lee. Chaucer and the Subject of History. Madison:

University of Wisconsin Press, 1991. Pearsall, Derek. The Life of Geoffrey Chaucer. Oxford: Oxford

University Press, 1992. Phillips, Helen. An Introduction to The Canterbury Tales. London: Palgrave, 2000. Strohm, Paul. Social Chaucer. Cambridge, Mass.: Harvard University Press, 1989.

CANTO From the Latin cantus, "song," this is a major division of a lengthy poem. First used by Dante for his Divine Comedy, it was introduced to English writing by Edmund Spenser in The Faerie Queene. See also stanza.

CANZONE Originally an Italian lyric poem consisting of five or six stanzas and an envoi, the canzone came to include polyphonic songs and lyrics that derived from this form but resembled madrigals. In English literature, Thomas Campion was a master of the canzone.

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