Bibliography

Brown, Eric C. "Ovid's Rivers and the Naming of Milton's Lycidas." Early Modern Literary Studies 7, no. 2 (September 2001): 51-53.

Fraser, Russell. "Milton's Two Poets: Voices in John Milton's Lycidas." Studies in English Literature, 1500-1900 34, no. 1 (winter 1994): 109-118. Horton, Alison. "An Exploration into the Etymology of Lycidas." Milton Quarterly 32, no. 3 (1998): 106-107. Kaminski, Thomas. "Striving with Vergil: The Genesis of Milton's 'Blind Mouths.'" Modern Philology 92, no. 4 (May 1995): 482-485. Kirkconnell, Watson. Awake the Courteous Echo: The Themes and Prosody of Comus, Lycidas, and Paradise Regained in World Literature with Translation of the Major Analogues. Toronto: University of Toronto Press, 1973. Womack, Mark. "On the Value of Lycidas." Studies in English Literature 1500-1900 37, no. 1 (winter 1997): 119-136.

lyric Poetry may be divided for convenience into two broad categories. one category is the narrative poem, which tells a story, complete with plot and characters. Examples include the BALLAD and the epic. The second category, representing the majority of poetry, is the lyric, generally a brief poem that focuses on expression of emotion or thought. The term lyric derives from the fact that in classical Greece, lyrics usually took the form of songs accompanied by a musical instrument, the lyre. Formal examples of lyric include the ode and the elegy, in which thought and feeling are expressed in a complex way. A more simple and popular fixed form of the lyric is the 14-line sonnet, in both the Petrarchan and the Shakespearean or Elizabethan constructions.

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